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Puttanna Kanagal
・ Puttanna Kanagal Award
・ Puttapa
・ Puttapaka Saree
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・ Puttaparthi Narayanacharyulu
・ Puttara
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・ Puttarangaiah Jayapal
・ Putte
・ Putte (disambiguation)
・ Putte Kock
・ Putte Wickman
・ Putte, Kapellen


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Puttanna Kanagal : ウィキペディア英語版
Puttanna Kanagal

Puttanna Kanagal (born Shubraveshti Ramaswamiah Seetharama Sharma, 1 December 1933 – 5 June 1985), was an Indian filmmaker and is considered as one of Kannada's cinema's greatest filmmakers. He was born in Kanagal, a village in the erstwhile Kingdom of Mysore into a poor family. Starting his career as a publicity boy, Kanagal was drawn into independent filmmaking after a stint in theatre and working with film director and producer B. R. Panthulu as his assistant. Kanagal's assiatants include Tamil directors SP. Muthuraman and P. Bharathiraja, and T. S. Nagabharana.
Although a majority of Kanagal's films were on offbeat or taboo subjects, generally women-centric,〔 he endeared himself to both the critics and ordinary film goers alike making "bridge films" between art and commercial cinema. His first film in Kannada, ''Gejje Pooje'', based on a novel of the same name by M. K. Indira is considered a landmark film.〔 He would go on to direct other films such as ''Kappu Bilupu'' (1969), ''Sharapanjara'' (1971), ''Naagarahaavu'' (1972), ''Edakallu Guddada Mele'' (1973), ''Shubhamangala'' (1975) and ''Ranganayaki'' (1981), all of which are seen as milestones in Kannada cinema. He also directed a handful of films in Malayalam, Tamil, Telugu and Hindi languages.
Kanagal received three National Film Awards, three Filmfare Awards South and multiple Karnataka State Film Awards. Karnataka state honours film directors and various personalities with Puttanna Kanagal Award in his memory every year during the Karnataka State Awards function.
== Early life ==
Subraveshti Ramaswamiah Seetharama Sharma was born in Kanagal village in Mysore district to Ramaswamaiah and Subbamma. As he hailed from a poor family, he had to endure hardships and struggled to get a decent job. He worked as a cleaner, salesman and even as a teacher to earn his bread. However, his job as a publicity boy brought him closer to theatre and subsequently to cinema. His association with films began when he started working for B. R. Panthulu as an assistant director and also as his driver.〔 His first film as an assistant director was ''Rathnagiri Rahasya'' (1957).

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